Creating texture with lines

Amazing how experiences tie together. Last weekend I was in Seattle briefly and visited the Seattle Art Museum. I wanted a chance to view their exhibit, Graphic Masters: Durer, Rembrandt, Goya, Hogwarth, Picasso and A. Crumb, before it closed this coming week. I loved studying the work of artists like Albrecht  Durer whose prints were amazingly detailed. Check out the complexity of this portion of The Crucifixion by Durer and how he accomplishes form and texture through simple lines.

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When I returned home, as I continued to work on  the cottage window, I remembered Durer’s use of lines and focused on both density of line and open space as I completed the quilting.

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I am quite pleased with the results and will be happy to include it in the Irish series that I am definitely creating.

Linking to Nina Marie’s Off the Wall Friday so you can check out other artists.

 

 

Play time!

Play energizes us and enlivens us. It eases our burdens.
It renews our natural sense of optimism
and opens us up to new possibilities.
Stuart Brown, MD

While back in upstate New York last week, I had the opportunity to visit the Strong National Museum of Play.

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Having spent an afternoon immersed in Sesame Street, Star Wars, train sets and a pretend grocery store, I found it difficult to return home and not remember what Ralph Waldo Emerson wrote, “It is a happy talent to know how to play.” And so, I took some time to hike to a beautiful view not far from my new home.

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Inspired, I returned to my studio and got down to business. One of my first projects was to quilt Aspen III. I had written about  Aspen II a few weeks ago. Aspen III is a foot square version where I chose to highlight different aspects of the image with my FMQ. Here you can see the results even though I have yet to bind it. I am especially pleased with my treatment of snow in this version.

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I am really enjoying quilting with Hobbs wool batting and silk. It is allowing me to really play with texture options in my quilting. Currently, I am working on another piece which will become part of a series on the West Coast of Ireland. This is a window from the cottage that I quilted and wrote about several years ago and that I was able to photograph in detail on trip in late 2014. You can see from this photo of a section of the piece that creating texture through selective stitching is playing a large part in this composition.

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Can’t wait to play some more!

 

My Dream Collection

SAQA will be having their annual auction next month, beginning on September 16. It is always an opportunity to support this dedicated organization while acquiring a foot square art quilt by one of your favorite artists.

As a lead-in to the auction, members are invited to create their own dream collection of art quilts that will be available in the annual auction. I could not resist the invitation to do so.

My dream collection is entitled ‘Trees that Speak to Me’. I have always found silouhettes of trees catch my attention and cause me to stop, breathe, and contemplate. In this collection, some of the art quilts are simply stark branches while others still have leaves. All  caused me to pause, appreciate the artistry both of the fiber artist and mother nature.

Here are my six favorites:

BA16-SCHLIN

BA16-DAUANN

 

BA16-BROKAT

BA16-HIGCAR

BA16-ROGANN

BA16-ZELNAN

To view all of the art quilts in the auction, you can click this link. To understand how to bid on art quilts when the auction begins on September 16, you can click on this link.

 

Re-evaluating batting

Since I moved to the western side of the U.S., I have mainly been using cotton batting in my art and charity quilts. Most has been purchased at the local JoAnn Fabrics, primarily Warm & Natural  and Mountain Mist. While satisfactory, I found them a bit heavy to move around while quilting. I remembered using wool batting back in NY but could not remember the brand.

I put out a query on a Yahoo group I belong to and asked what people use. Some art quilters used cotton, others used wool, and a few mentioned a felted batting.  I did some research on the felted suggestion but found quite a few comments on the stiffness of the batting. Since I do not use a long arm and need to be able to easily compress my quilts as they pass under the arm of my machine, I was hesitant about how I would like it. In addition, I could not find it packaged in a small amount so auditioning it would have been a sizable investment.

Instead, I decided to revisit wool batting. I had one piece that I had brought out west and made myself a small cotton muslin quilt sandwich to free motion quilt upon. I had come across a Shamrock Design video by Lizzie Leonard a few weeks ago that I really wanted to try. So, I decided to use that on my sandwich.

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I found it quite difficult to move the sandwich as I quilted the design. The batting was quite thick – almost an inch – and I did try lessening the pressure of the foot to ease glide. However, the resistance was intense. While the texture created by the high loft was appealing, I couldn’t visualize quilting a larger piece with the same issues.

Instead, I ordered some of Hobb’s Tuscany Collection 100% wool batting which advertised a loft of 1/4 – 3/8″. It was available in a crib size package so, in contrast to the felt batting, I could sample without a large investment. I created a similar size sandwich and used the same shamrock design.

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With the lower loft, the sandwich glided through my machine without a problem. I could easily manipulate the fabric and liked the resulting surface texture.

My next step was to try the batting with one of my art quilts. Several weeks ago, I had asked my friend, Julie Brandon, at Red-Dog Enterprises to reprint the image I had used in my art quilt, Aspen. The piece sold so quickly I barely had time to enjoy it – a nice problem! Julie reprinted several of the image on silk habotai for me and I used one of those images with the Hobb’s batting and a cotton backing to play.

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The finished piece, Aspen II, is about 11″ x 13″ and went together like a dream. I think I have found my batting of choice. While not an issue since this is an art quilt and won’t be subject to washing, the packaging does say that the batting is washable. I probably will test that out before I use the batting in a lap quilt. I did use a steam iron on this quilt without a problem and fused the batting to the silk with MistyFuse before I quilted it. The batting held up fine through these processes.

I am looking forward to  next quilting my larger Morning Walk piece and a third quilt in the Aspen series using the Hobbs’ batting in the next few weeks .

Linking to Nina Marie’s Off the Wall Friday so you can see what other fiber artists have been up to.

Preserving Vintage Cloth

The past few months I have been working with a delicate piece of vintage cloth. It was most likely originally a table runner. I found it at an antique mall in upstate NY. The linen cloth was so soft to the touch. Often in the projects I work on during my time with Karen Ruanne, we cut apart vintage pieces and re-construct them into new uses in pouches, lace cloths, etc. However, I decided to preserve this piece of cloth in its entirety while re-purposing it.

I folded it in half with the intention of creating a pouch where one could store other laces, ribbons, etc. I then began a process of embellishing it, starting with the front which had an opening in the middle.

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I then carried part of the design onto the back and continued with embellishing, using part of a vintage hankie from my stash.

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The flowered fabric was a Japanese cotton I had found on one of my expeditions to the NYC garment district. I used it throughout the pouch, including the lining.

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The pouch retains the soft hand of the vintage linen fabric and now can continue its life in a way that it will be gently cared for and appreciated whenever used.

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The Creative Spark

“Creativity is contagious, pass it on”
 Albert Einstein

This week I discovered the documentary series, Chef’s Table. It is in its 4th season so perhaps many of you have been enjoying it for a number of years. I do not spend much of my time watching television so I make no claims to be up on all the latest shows. However, now that I have found this series on Netflix, I am in love with it and encourage you to seek it out and enjoy a few episodes. I think that it will send you back to your studio energized and eager to move forward with your current projects.

Each episode is about one renowned chef. It draws upon chefs from all over the world and interviews them at length about their lives, their philosophy, and how they cook. The artistry of each chef comes across to the viewer through not just their words but incredible photography of the dishes they create and the environment in which they choose to create.

I find myself inspired by both the beauty of what I am seeing and the fervor of the individuals that has driven them to create.

To give you a sense of the series, here is the promo video for the first season. Enjoy!

 

Decisions, decisions!

In any moment of decision, the best thing you can do is the right thing,
the next best thing is the wrong thing, and the worst thing you can do is nothing.
Theodore Roosevelt

 

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Should I play with my octopus or my smiley face????

I am so grateful to everyone who offered feedback through email or this blog on my current “Morning Walk” art quilt. It was wonderful to receive your thoughts and appreciate that there were many options to consider. After a quick trip over last weekend to Missoula to run a 5k with my family, I got back to work on “Morning Walk.”

Wish I could say that I can offer a finished piece and resolution of all my indecisiveness but that is just not the case. I spent hours experimenting  – a very good thing. And, I did make decisions. And, I did actually start fusing elements!

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Starting from the draft above,  I experimented with a number of choices and finally decided that the blocks were not necessary.

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Next I focused on the tree, some angulation issues that were bothering me, and the placement of the woman relative to the tree. She had been much further to the left of the tree in earlier drafts.

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This is the background that I actually fused to my muslin backing. Only the woman and the tree trunk are currently unfused. I then began to play with shadowing and adding some vague interest to the ground that the tree sits in. I still have a stash of organza that I dyed several years ago and that I love using for shadow effects. This draft below shows a first stab at adding it.  It will be changing into a much more amorphous shape on the brown area. I played with sketches last night…

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You may be wondering about ‘the fence’. I haven’t decided! 😈  The suggestion to play with adding fence in an iPad app is tempting me, as well as the suggestion to add in some strips of fabric to simulate a fence. Plus a friend in my stitching class with Karen Ruanne just posted a beautifully stitched window grate that really tempts me as a possibility. At this point, I like the direction of the piece enough to devote time in the next week to exploring these possibilities along with finishing off my shadow work.

Hopefully there will be another update next week!

Linking as always to Nina Marie’s Off the Wall Friday.

A Morning Walk

All truly great thoughts are conceived by walking.
Friedrich Nietzsche

This week’s focus has been my art quilt, Morning Walk, which I sketched out in Elizabeth Barton’s class, Inspired to Design. I wrote about the sketch a few weeks ago in a post and received some great encouragement. The photo that inspired the sketch was taken in Crete a few years ago – a local woman walking along the street. As is traditional in smaller villages on the island, the older women all dress in black. It brings back memories of my childhood growing up in a Sicilian neighborhood in New York where black was worn by all the old grandmothers.

I knew that a totally black figure would be a bit challenging to convey and so I made it my first effort. I didn’t want to follow my more typical process of beginning with a background and then building upon it. After all, what if I couldn’t finally capture the sense of a woman walking and was left with a blank background? I really shouldn’t have worried. The woman came together fairly quickly.

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The rest of my week has involved play on a background for her. It is still in draft stages – simply blocks of fabric on my design wall with the start of a tree. Here is a cropped photo of its current state as I audition background elements and positioning of my lady and tree. I suspect she will wind up closer to that tree than in this version.

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You may remember, in my sketch, she is walking along a fenced off area.

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I really liked that fence and visualized quilting it in with fine lines at the end of the quilting. As I have been playing with a background, one friend wondered if including the fence would be a distraction to the flow of the work. Hmmm? Good time to raise the question. I wonder too. I have asked Elizabeth for an opinion as our class is still going and am awaiting her feedback. I wonder if anyone else has an opinion?

It is convenient that I can continue working on the quilt and make a decision on the fence towards the end. There are plenty of other decisions to be made first as this is definitely a work in progress!

Linking up to Off the Wall Friday so you can check out what others are doing as well.

Talk Less, Smile More!

Talk Less, Smile More
Lyrics from Broadway Musical, Hamilton

A slightly skinned knuckle is keeping me from blogging very much today but those lyrics jumped out at me from the soundtrack of Hamilton that I have been listening to this week. I don’t necessarily agree with the following line in the play,  “Don’t let them know what you’re against and what you’re for.”  Since I am trying to limit my typing, I will refer you to Richard Branson of Virgin Atlantic for a great blog post on the set of lines. I totally agree that we would have a far happier world if people did just talk less and listened to others!

Today, I will also type less, smile more!  I have been working away on improving sketches and looking at color palettes as well as some hand stitching. Guess you will just have to trust me on that.  🙂

Since today is the start of a major holiday in the U.S. where we pause to remember how this country to which many of our ancestors immigrated began, I will just add a patriotic tune and close. It is pretty hard to find a rendition of just the first verse without a lot of editorial commentary so I hope you won’t mind that I have resorted to a clip from Superbowl XLIX which I realize many of my Seattle friends would like to forget ever happened.

A Slight Detour

May your trails be crooked, winding, lonesome, dangerous,
leading to the most amazing view.
May your mountains rise into and above the clouds.
Edward Abbey

About two weeks ago, fellow artist Margaret Blank included a knit hat among the projects that she had completed in the past week. Now Margaret is a stellar knitter and the hat was a bit unusual. She did an impressive job of knitting it. I immediately fell in love with the hat. I looked up the reference to the pattern that Margaret kindly included in her post. The write-up did not sound too difficult……..and I really liked the hat. So, I ordered the yarn, Knit Picks Swish Worsted, and waited patiently for its arrival.

Well, it came this week and I simply could not focus on anything else. The yarn was absolutely beautiful and so soft to the touch. I simply had to start knitting.

Fortunately, I had brought along my knitting/crochet needles when I moved  – all nicely organized in the case I had made from an Indian sari.

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I had the required needles, checked my gauge and started knitting……..and couldn’t stop.  😛

I have nowhere near the talent that Margaret does but I am persistent. I admit that my hat is probably not as perfect as the one Margaret made, but I completed it in a few days and I like it!

It was a pleasant break from my class with Elizabeth which is now winding down. I did do some more sketches for that class and expect to be sharing more as I translate my rough sketches into actual art quilts in the coming weeks.

In the meantime, here is my hat!

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Linking as usual to Nina Marie’s Off the Wall Friday. Let’s see what everyone else is doing!

 

On Course

My legacy is that I stayed on course…
from the beginning to the end,
because I believed in something inside of me.

Tina Turner

This was a challenging week to stay on course here in the U.S. The events in Orlando were horrific and rightly monopolized the new media online and on screen. Juxtaposed for anyone who follows the soccer world were major series in Europe and the Americas that offered hours upon hours of sports relief. Still, I did manage to use the week to plug away at my drawings for Elizabeth Barton’s course and make progress on other fronts.

Hidden nicely away in a corner of my studio was a quilt waiting to be completed for Quilts Beyond Borders. It offered an easy opportunity to stitch away at my Bernina in the midst of all my sketching. It now off to QBB headquarters and will soon be on its way to a young orphan or refugee somewhere in this world.

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I continued to sketch for Inspired to Design and produced many images, a few of which I deemed worthy to share with Elizabeth.

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I found her comments quite helpful, as always. She thought the last of the three did hold promise. The first sketch of the flower stalk also was ‘interesting’ but likely needed some companions to be a successful quilt. The middle sketch of the woman walking excited her the least – being too static. Of course, that would be the sketch that I most want to follow through on. I do like the flow of veggies in the bottom drawing and will probably work on that more in this week’s exercises. However, that woman intrigues me. She was dressed totally in black and walking along a street in a village in Crete. I definitely see an art quilt entitled Morning Walk in it and will continue to play with it on my own. While I enjoyed sketching the flower stalk, I don’t feel it would hold my interest long enough to follow through with its detail, so I suspect it will be filed away in a folder for another time.

I did spend a number of hours watching both UEFA Euro 2016 and COPA 2016 soccer this week and that fit in very nicely with my hand stitching. You might recognize the background of this piece. I am working on the back side of what will be a pouch.

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This coming week promises more sketching with Elizabeth and undoubtedly some more hand sewing as I follow both soccer events. I will be linking to Nina Marie’s Off the Wall Friday, so please go check out what other artists have been up to. I always find the entries inspiring.

 

 

Play, Play, Play!

One finds limits by pushing them.
Herbert Simon

A little over a week ago I was catching up on my blog reading and ran across a post by Elizabeth Barton that she was offering a class, Inspired to Design, in a few days. I have taken a few classes with Elizabeth and I have grown to respect her skill in online instructing. She provides a wealth of information and good feedback to her students. I had just completed my latest art quilt, so I decided to sign up for her class. I have taken a number of design classes over the years and always found it a challenge to be ‘disciplined’ in designing a piece. Aware of this limitation on my part, I asked Elizabeth to really push me.

The result has been great fun! Remember my post last week about play? Well, I decided to make this brief 4 week class an opportunity to play. And, play I have.

The past week I focused on a photo of an Irish cottage that holds a special place in my heart.

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I filled my design wall with sketches – here are just a sampling of a few!

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I discussed my progress with Elizabeth, assessing why I was attracted to the photo, and gradually isolated an area that really spoke to me. Many more sketches followed as I honed in on an idea.

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I actually went back to my original photo and cropped that more, revealing more detail to play with.

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Which, of course, lead to more sketches.

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I am now entering into week two of this four week class. The instructions for week two are more sketches! My goal is to hang in there with Elizabeth and continue to play.

I took a brief excursion to Seattle early in the week with one of my granddaughters to visit a zoo. It gave me time to process all that I am learning with Elizabeth. And, yes, to experience discovery and play on a different level. These photos suggest definite success.

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Now back to more play with Elizabeth!

Linking as usual to Off the Wall Friday.

The Art of Play

Just play. Have fun. Enjoy the game.
Michael Jordan

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Learning a lot about play from my new granddaughter. It is how she learns. She finds joy in the simplest things – a drawing of a frog on her play mat or the smile of her mother as she plays pick-a-boo with her. And, all the time, she is learning how to use her arms, her voice, and get comfortable with being in this world.

So, this week I decided to take the time to play and ‘stop and smell the roses.’ Coincidentally, I found some great roses to smell during a hike in Manito Park in Spokane.  🙂

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In my studio, I played with some silk net that I purchased last year but just hadn’t stitched on yet. Silk net is soft and delicate. I used it to create what Karen Ruane calls ‘lace cloth’ through a process using my sewing machine and hand embroidery.  I then joined my lace cloth with another piece of commercial lace that I had embellished slightly. In the coming weeks I intend to add more odd pieces of lace and other cloths. Where it will go, I don’t know. It is just play and it feels great.

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Hope that you will find time to play in the next week too!

Linking, as usual, to Nina Marie’s Off the Wall Friday blog. Check it out!

The Magic of Rain

No one ever melted from the rain.
Stuart Mace

Many years ago, I took a workshop near Ashcroft, Colorado that was lead by Stuart Mace. We were to hike in the ancient forest and as we arrived, the skies opened and the rain fell. We were an eclectic group, quite a few from eastern cities not used to hiking in the rain. Stuart smiled and offered the above words of wisdom as we set off on what proved to be a most magical hike.  They have stayed with me ever since.

This was a relatively rainy week here in Spokane. I have learned to embrace these days – the more rain now, the better for us during fire season. I did venture out, despite the moisture. Here are a few photos of the rich images that lay await in our forest.

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Much of fiber related time this week was spent in more behind the scenes work. My website is now updated and I have sent in a few show entries. None of this would have been possible without the help of Barbara Chase of Fine Art Photography who captured images of my new works. You might say that my latest, Celtic Coast, fit well with our weather this week.

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Inspired by the west coast of Ireland, I leave you with a traditional gaelic blessing:

May the road rise up to meet you.
May the wind be always at your back.
May the sun shine warm upon your face;
the rains fall soft upon your fields and until we meet again,
may God hold you in the palm of His hand.

Linking, as I often do, to Nina Marie Sayre’s Off the Wall blog.

It’s All About Heart

The best and most beautiful things in the world
cannot be seen or even touched –
they must be felt with the heart
.
Helen Keller

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There was a moment when I thought, perhaps, I should just skip posting this week. My actual stitching time was limited by a lovely visit by two cousins  and loads of time with my new granddaughter. I am not complaining as it was just wonderful to have family visiting and to be able to share in the life of my daughter and son-in-law and grandchildren. However, tangible output on the art side of my life was lean, but as I perused my photos of the past week. it dawned on me that there was a theme that merged my art with my life  – the heart!

As I stitched away for Karen Ruanne’s new Stitching a Story class, the heart has emerged as a key element in my play.  On a page in a mini-book that I am creating to insert into my copy of The Little Prince I added the key quote I am focusing upon in the book.

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I also played with some simple doodling on the back pages of the book.

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And, of course, as in any class of Karen’s, there is always embroidery on cloth. I did not have much time for actual stitching but you can guess what I did choose to work on.

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There were other activities surrounding my art during the week….I finished Solitude and will share a photo next week as I have a date with my new photographer on Monday. A fair amount of time was spent on unexciting tasks like creating labels and sleeves for completed projects. Those aren’t worthy of documenting on a blog but are necessary if we want our works exhibited. I was reminded of that as I was delighted to receive a photo of my  art quilt, Ghost Trees, which is on display in Taiwan.

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My week ended with a delightful celebration as our 10 week old granddaughter demonstrated her latest development – the ability to clasp a rattle – a true moment of the heart!

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Linking as always to Off the Wall Friday – please check out other artists.

 

 

 

Exploring Skies

The sky is the daily bread of the eyes.
~Ralph Waldo Emerson

My current interest in a series of art quilts on seas and coastlines has created an opportunity to play a bit with skies.

I have been dyeing cloth to create different moods of skies. If you remember, my last art quilt ,which I have decided to call After the Storm, used some cloth I dyed in Elizabeth Barton’s class earlier this year to portray that sky.

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                                                    After the Storm

For this latest dyeing adventure, I worked from the formula I used in Elizabeth’s class. For one piece, I overdyed a blue with a black (upper piece) and then reversed the process to overdye black with blue (lower piece).

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My next step will be to play with ‘cooling down’ the blue by adding a touch of green.

While I was working through that dyeing process, I also continued to assemble the pieces for the art quilt that I mentioned in this blog back in April, based on Kerstin Hellman’s photo of  the Irish coastline. What I have  decided is to create two separate art quilts from Kerstin’s photo as the sky and most distant rock formation in my ‘draft’ totally captivated my attention.

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Initial work

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Focus of first of two art quilts

This week’s project then was to develop that first piece. Using another piece of fabric from Elizabeth’s class for that sky, part of my process this week was to sample quilting for the sky. I created a mini-landscape to test out quilting for the rocks, sea, and sky.

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I wasn’t satisfied with the quilting technique for the sky in the mini.  So I tried an echo technique similar to what I used in After the Storm to highlight the branches against that sky.

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Using that approach to highlight the ‘storm clouds’ in the sky felt much better in the sample so it is what I used for my actual piece which is now in process.

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I think you will agree that the echo quilting was the way to go!

Linking to Nina Marie’s Off the Wall Friday so please check out what other artists have been up to this week.

 

 

 

The Little Prince

Anything that is important
is invisible to the eye.

Antoine de Saint-Exupery

I remember going through my Aunt’s bookcase as a little girl and finding a copy of The Little Prince. It was once of the few books in the case that I could read and I poured over it whenever we visited my Aunt and Grandmother. I can still see the book in my mind’s eye to this day.

A few weeks ago, Karen Ruane announced her next stitching class would be called “Stitching a Story.” I enrolled and we were all asked to find a book that we would use as a base for developing stitches and markings for journals and could be the basis for some stitching on cloth. I, of course, thought of The Little Prince.

I was able to find a copy at Barnes & Noble with modern illustrations.

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I must admit that I have never been involved with a project like this class. I am hoping that I will be able to keep up with the much more experienced members of the group. The fact that the book itself holds treasured memories and has always resonated with me will certainly help.

Our first suggested tasks (Karen never requires you do anything you are not comfortable with) were to create a color chart and select some accompanying threads. This was relatively simple for me as I loved the colors in the book and already had many of them in my thread ‘stash.”

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And then we were to start stitching! It was suggested we start ‘small’. I thought that sounded just fine!

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My granddaughter came over and was extremely interested in the fact that I was stitching in a book. Plus she immediately wanted the book read to her. That encouraged me so I am now working on another page.

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More instructional videos arrived from Karen today……can’t wait to see where the next week takes me!

Linking once again to Off the Wall Friday.

‘Ghost Trees’ on exhibit

One of my art quilts, Ghost Trees, is on exhibit at the Taiwan International Quilt Exhibition 2016 from April 30 – May 29 at the National Tainan Living Art Center,Tainan, Taiwan, Republic of China.

According to the United Nations Forum on Forests, global forest deforestation has caused ecosystem degradation, resulting in the increasing threat of greenhouse gas emissions and species extinction at an alarming rate. Artists were invited to address global environmental issues in their works, exploring creativity from life and humanity, sowing seeds of hope for the restoration of Earth’s ecology.

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I am honored that Ghost Trees was selected for the exhibition. It is the second time that one of my art quilts has been in a TAQS exhibition. I actually set this exhibition as a goal for myself when the exhibit theme was announced. I knew I would be extremely limited last year in studio time and the theme for this exhibit resonated deeply with me, so I decided to focus on creating a piece to enter in this exhibit.

The ‘ghost trees’ in the piece were created by couching torn paper with an underlay of roving by hand to a background. A piece of my hand-dyed fabric formed the background. The tree stumps were fused and the entire piece was machine quilted before the couching.

The Taiwan exhibition is biennial and I would encourage you to watch for the next Call for Entry. I have been extremely impressed with the professionalism of the organization in dealing with an international exhibit.

Gathering Inspiration

One of the highlights of the past week was attending the Contemporary Quiltart Symposium  in Tacoma, WA. I was able to hear Sandra Sider, Cathy Izzo, and Kris Sazaki each speak about the future of art quilts and the role that each quilt artist can play in furthering both the marketing of their works and the general acceptance of art quilts within the art world. In addition, we were all able to tour the CQA Cutting Edge Art Quilts exhibit at the Washington State History Museum in Tacoma. I am sorry that I have no photos to share but none were allowed in the exhibit. All I can say is that the quilts were most impressive in terms of artistry and diversity. They will be on display until August 21 if you happen to be in the area.

The time spent driving over the the western side of Washington for the conference also allowed me to stop in at my favorite quilt store, Undercover Quilts, to see what new fabric Linda Hitchcock in carrying. She never disappoints and I brought home some yardage which I quickly put to use.

I mentioned a photo of the Irish Coast in my post last week. It was taken by Kerstin Hellmann of Irish Coast Photography. Kirstin graciously has allowed me to use the perspective of one of her photos of the Irish coast for my next art quilt. She captured the scene at sunset – I shall be creating a scene for a different time of day, but using the rock formations in her photo as a base.

Kerstin Hellmann – Irish Coast Photography

I have just started playing with some ideas for the art quilt but, as you can see in this photo from my design wall, I am exploring how I might use some yardage that I just bought at Undercover Quilts.

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I will be on the road for the next week so you will have to wait a bit to see how I decided to handle the sea, but you can be sure I will be contemplating it while I am away!

 

Life is good!

The present moment is the only moment available to us
and it is the door to all moments.

Thich Nhat Hanh

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When you are 5 weeks old, it is natural to be in the present moment. A shoulder to lean on creates contentment. If only we could all stay so present and find contentment in where we are currently in our lives.

As always, this week provided its own challenges to being in the present moment for me. But, moving forward one step at a time with my art, it really was a good week.

A note from my contact person at Quilts Beyond Borders revealed a definite need for quilts to fill requests from India, Ethiopia, and for Syrian refugees. This spurred me on to work not only with some fabric provided by Quilts Beyond Borders but also to delve into my stash for other ideas. Some fabric squares I picked up at Ikea a year or so ago magically formed a base for a second quilt top.

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At the same time, my mind was busy with ideas for my next art quilt. I enjoyed working on a sea theme so much in my last piece that I have decided to do a series. Taking inspiration from a photo of the Irish coast, my studio floor is now laid out in possible fabrics. With luck, I will be sharing more in the coming weeks on this exciting project.

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And, finally, I leave you with a breath of spring. The weather in Spokane has been absolutely perfect the past week and spring is definitely in the air. My hand stitching simply could not resist celebrating the re-emergence of wild flowers around our property by taking on a flower theme on this delicate antique cloth I have been working on.

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Linking to Nina Marie’s Off the Wall Friday blog.

Appreciating Light

Turn your face to the sun
and the shadows fall behind you.
~Maori Proverb

This past week involved a trip to the land of the sun – Arizona. It meant time with family that I rarely get to be with…..and a chance to study light and the magic it casts through an interplay of shadows. Here are a few scenes to illustrate what I mean:

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IMG_8579Hope you all have a good week!